Sandro Botticelli
Sandro Botticelli's Oil Paintings
Sandro Botticelli Museum
c. 1445 – May 17, 1510. Italian painter.

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Francesco Botticini
The Virgin and the Nino in the glory with Holy Maria Mary magdalene, San Bernardo and angeles

ID: 41978

Francesco Botticini The Virgin and the Nino in the glory with Holy Maria Mary magdalene, San Bernardo and angeles
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Francesco Botticini The Virgin and the Nino in the glory with Holy Maria Mary magdalene, San Bernardo and angeles


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Francesco Botticini

Florence 1446-1497  Related Paintings of Francesco Botticini :. | St. Augustine | The Virgin and the Nino in the glory with Holy Maria Mary magdalene, San Bernardo and angeles | St.Augustine | Madonna with Child | St.Monica |
Related Artists:
Petrov-Vodkin, Kozma
Russian Painter, 1878-1939
Marie Caire Tonoir
Naturalist artist France 1860-1934
BADALOCCHIO, Sisto
Italian Baroque Era Painter, 1585-ca.1619 Italian painter and etcher. His formation as an artist took place within the Carracci circle. According to Malvasia, he may have attended the Carracci Academy in Bologna, before returning to Parma in 1600 as the pupil of Agostino Carracci when the latter entered the service of Ranuccio I Farnese, 4th Duke of Parma. After Agostino's death in 1602, Badalocchio and his fellow pupil Giovanni Lanfranco were sent by the Duke to Rome in order to complete their training in the studio of Annibale Carracci, who was then working in the Palazzo Farnese. Badalocchio remained with Annibale until the latter's death in 1609. He participated in most of the projects that occupied the studio assistants during those years, such as the frescoes on the walls of the Galleria in the Palazzo Farnese and those previously in the Herrera Chapel in S Maria di Monserrato, Rome (now detached and divided between Madrid, Prado, and Barcelona, Mus. A. Catalunya), although his precise share in them is still debated. His first signed works are etchings, one (1606) after the antique sculpture of the Laokoon (Rome, Vatican, Mus. Pio-Clementino) and 23 (1607, part of a series of 54 executed in collaboration with Lanfranco) after Raphael's frescoes in the Vatican Logge; they reveal the romanizing character of his training. Yet his independent paintings of this early period reveal the influence of Lanfranco, which was to last throughout his career; the lively play of light and shade suggests his allegiance to Emilian art.






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